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The Book Review
Easy and thorough reference for novice in NYC.
Great resource for planning a trip to New York City

This was SO helpful.
Really Helpful For First Time Visiters
Good Quick Reference

Good trail companion
Excellent Guide - but does not include AcadiaFinally, the maps, although excellent, are paper, not tyvek.
An Exellent Guide for anyone Hiking in Maine

an invigorating bookBut now, upon my return, I have found "A Week on the Concord and Merrimack Rivers" by Henry David Thoreau to be a very invigorating book...one to be savored and not read too quickly. Taken at a good pace, it has been a joy.
While transcendentalism still strikes me as a rather facile and egotistical philosophy, I have really come to see and appreciate the mystical quality in Thoreau's works. Like most mystical authors, Thoreau is not always engrossing--he is actually rather tedious in points, but his work is punctuated by passages of sheer brilliance.
Seeing nature through Henry's eyes has been a wake up call to me personally. This book breathes excitement and lust for life upon the reader. Even his long winded discussions of different kinds of fish serve to alert me to my own lack of wonder. This world, even in its current subjection to futility , is still a wonderful creation. Nature (and Thoreau's picture of these rivers especially) echo the declaration of the Psalmist: "The heavens are telling of the glory of God; And their expanse is declaring the work of His hands" (Psalm 19:1).
I highly recommend this wonderful book.
A pre-_Walden_ that's best read *after*Read _Walden_ first. And if you find you enjoy Henry's take on nature and civilization and life and living, pick up _A Week_. There are a few gems lurking in here that you might connect with.
...Thoreau's TRUE Testament..."Musketaquid"]
I will take the definite role of the
Nay-Sayer in the long line of aficianados
and idolators who insist that *Walden* is
Henry David Thoreau's masterpiece...
I will simply state that this work and
"Life Without Principle" are his great
contributions to literature, thought, and
value...
Take this quote from "Life Without Principle"
(before I get to 'A Week...'):
"To speak impartially, the best men that
I know are not serene, a world in themselves.
For the most part, they dwell in forms, and
flatter and study effect only more finely
than the rest. We select granite for the
underpinning of our houses and barns; we
build fences of stone; but we do not ourselves
rest on an underpinning of granite.
we do not teach one another the lessons of
honesty and sincerity that the brutes do, or
of steadiness and solidity that the rocks
do. The fault is commonly mutual, however;
for we do not habitually demand any more of
each other."
If that is not "preaching," but in the
sense of a prophet, not a mere sermonizer,
then there hasn't been any in a long time.
But Father Mapple's sermon in 'Moby-Dick' is
right up there with it.
If I had only known of Thoreau [and I had
not read much of him (and little then)except
at the University] and had to believe that
Thoreau was just what he seems to be in
'Walden,' then I would have given the man
short shrift...because there is not enough
of any sort of heart or soul in that work
to believe that he is even human. But
fortunately, a Thoreau worshipper (or rather,
*Walden* worshipper) forced me, by his own
imperious egotism, to try to understand this
man Thoreau and his views. It is fortunate
that I did, for I discovered 'A Week....'
This Penguin Classics edition is excellent
in a number of ways -- the two most important
being the notes in the back which explain the
allusions, and ancient Latin and Greek sources
and excerpts(for those who might not know them)
which Thoreau quotes and sometimes translates;
and the incredible "Introduction" by the editor,
H. Daniel Peck.
He can say his wondrous words himself:
"There is good reason for 'A Week's open
acknowledgment of the attritions of time
and loss. Conceived initially as a travel
book, 'A Week' was immeasurably deepened into
an elegiac account of experience by a tragic
event that occurrred in Thoreau's life in
the period following the 1839 voyage. In
1842, Thoreau's companion on that voyage,
his brother John, died suddenly, and in
agonizing pain, from lockjaw.
Without question this was the greatest loss
that Thoreau ever was to suffer. (He seems
to have undergone, in the aftermath of his
brother's death, a sympathetic case of the
illness that caused John's death, and the few
entries that appear in his journal in this
period are desperately mournful.) Interestingly,
though the pronoun 'we' characterizes the
narrator often in the book, the brother's
name is never mentioned -- an indication perhaps
of Thoreau's enduring need to distance himself
from this loss. there is nothing in 'A Week'
that directly refers to the death of John Thoreau.
Instead, his memory is evoked through various
symbolic strategies. For example, the long
digression on friendship in the chaper
'Wednesday' surely is intended to reflect the
intimacy Thoreau shared with his brother. Even
the ubiquitious 'we' of the narrator's voice
speaks to this intimacy. So intertwined are
the two brothers' identities in this pronoun
that it is often difficult to tell whether a
given action has been taken by Henry or John,
or both at once."
"To emphasize the elegiac aspects of 'A Week'
is to remind ourselves that throughout Western
history, rivers -- and voyages upon them --
have served as metaphors of transience and
mortality. Yet, as I indicated earlier,
'A Week' is not solely a mournful book. Its
rivers also support a spiritual buoyancy, and
provide the setting for exploration and adventure.
Most important, however, the book's larger
structure enables it to 'transcend and redeem'
the individual losses that it recounts."
[wonderful writing here!]
"In general, the outward-bound voyage of 'A Week'
dramatizes the writer's encounter with time and
its losses; on that voyage, he pays close
attention to the shore -- which, in its discreet
scenes of spoliation and historical change,
symbolizes the passage of time. The homeward
voyage, on the other hand, suggests assimilation,
resolution, and renewal. If the primary mode of
perception on the outward voyage had been
observation (of the shore), then the primary
mode of the return voyage is contemplation.
Now we are involved in an inward exploration,
and, symbolically, our vision leaves the shore
and returns to the river and the flow of
consciousness that it represents."
-- H. Daniel Peck; "Introduction."


not for the out of staterThe copy and descriptions are good once I got to the trailhead, and organized linearly along the trail. I really enjoyed the plots of trail elevation over distance.
A guide beyond the day hiker
Exploring The Appalachian Trail: Georgia, North Carolina, Te

New York Restaurant
Real Review
Great books

[Skip] this book
Accurate and Useful
Must have for area climbers!While written guides for Annaplis Ricks and Sugarloaf are online, the visual clues make the difference.
Just too heavy to carry in whole book, but a quick editing with an Exacto knife gives you several smaller sections for easy carry.


Good not Great2 in which the directions to the trailhead listed the wrong forest service road to take.
3 in which I saw other trails at junctions that weren't mentioned in this book leading to nearby attractions (without giving full descriptions it would be nice to mention alternatives for longer hikes available).
1 in which the directions led to a difficult hike, but it turned out talking to people at the top that a much easier hike was available to reach the same destination from the same trailhead.
Having said that, this book does give the visitor an easy way to plan some hikes in Vermont. The Falcon guide looks to be similar, so it might be useful to read both before planning your hikes.
Before you buy this book...
Comprehensive hiking book for the right priceThe authors offer a very good "At A Glance" section in the beginning with hike name, location, and so forth-- many of the things also covered in the individual hikes, but what stands out in this secion is whether or not each hike has a view, good for kids, nearby camping, good for winter, and my personal fav, notes that state whether the hike is good for x-c skiing, snowshoeing, waterfalls, historical interest, etc. The book also contains a "hiker's" guide to trail map symbols, safety, what the pack and more.
There are no surprises in the write-up for each hike. The authors have not left anything out: distance, hiking time, vertical rise, difficulty rating, pictures and topographical maps.
You won't find a better book about hiking in Vermont for this reasonable price.


Charming and pleasant, but a bit slightWith this book he presents a portrait -- and sketchy history -- of the city from an angle few people know it. Structuring the story as a fairly continuous though interrupted sail from his home in Long Beach, around the southern tip of Rockaway and into Jamaica Bay, then into Upper New York Bay and the East River, and ultimately to Long Island Sound, Kornblum offers both close-up looks at the water and shoreline, and their past history.
The approach is light and pleasant: Few stories -- whether of the freezing disaster of the privateer "Castel Del Rey" in New York harbor in 1704, knowledgeable black sailors impressed by the British Navy in the War of 1812 and jailed in England for refusing to serve against the US, various ferry disasters, or the vagaries of Robert Moses -- last more than a page or three. The only sections where Kornblum lingers are in Jamaica Bay (its environmental degradation and return), and the dockside concrete industry that built New York's towers and for which the author worked as a kid. Manhattan itself is quickly bypassed though given a loving nod, and there is no venturing into the Hudson side.
In the typo sweepstakes, the book does all right, although it says "mechanical break" on p. 156 when "brake" was meant, and I believe I saw an unintended sentence fragment on p. 143. Most egregious, the great A.J. Liebling is identified on p. 103 as "Libeling" (though the name is correct in the bibliography)! A pity there apparently are youthful editors (I don't suppose there is such a thing as a proofreader in publishing anymore) who do not know this great journalist's work backward and forward.
Another ominous development -- to this reader, anyway -- is that the lovely cover photograph is an unreal composite. Different photographers are credited for different portions of it. I find this vaguely disturbing.
The writing is definitely four-star quality or better. Here's my favorite passage: "Up another shadowy bend stood two snowy egrets, with their outrageous yellow boots and platinum punk haircuts. How chic, these mudbank sushi bars. The egrets were spearing for sand bugs, moving along the edge of the marsh with the herky giant steps of students at a party stepping over empty beer cans."
I give the book only three stars because it is slight. Probably an excellent gift for the average non-reader who happens to love sailing or New York City, or the casual reader who knows little about either, but I would have liked to know more.
A good read, but....I expected the former thanks to a review in the NY Times, I think -- some newspaper, anyway -- that suggested it was less an ecological than an historical journey. Without this preconception, I probably would have liked the book more. If you're from NYC, it's worth a read, but there are many better sailing accounts if you want hairy-chested adventure, or to learn something about sailing in general. There are also better books about ecology of the shoreline.
But the style is pleasant and the author seems like a man who would be an enjoyable sailing companion. That's worth three stars.
Thoroughly enjoyable